Thursday, February 26, 2015

Painting small, Daisy Trio Miniature Treasure oil painting

Daisy Trio
Palette knife painting
Oil on 4"x4" mini box canvas
A sister painting to yesterday's painting, see here. These Minaiture Treasure paintings are fun to paint. It often takes a few tries (i.e. wiping off!) to get the right feeling for these small paintings. It's a balance between enough and too much detail.


My 'miniature treasure' paintings are small paintings, usually 4"x4" that I paint to warm up or if I only have short time to paint (although often they take longer ). The problem is that they are addictive to paint and so I start building up a series. Each one has the same heavy impasto as my larger paintings, click on the photo to enlarge it.

They are a great affordable way to start an art collection and will add spots of colour around the house. They can be framed or displayed on a mini easel.





White Daisies Miniature Treasures Painting

White daisies Miniature Treasure
Palette knife painting
Oil on 4"x4" mini box canvas

My 'miniature treasure' paintings are small paintings, usually 4"x4" that I paint to warm up or if I only have short time to paint. The problem is that they are addictive to paint and so I start building up a series. Each one has the same heavy impasto as my larger paintings, click on the photo to enlarge it.

They are a great affordable way to start an art collection and will add spots of colour around the house. They can be framed or displayed on a mini easel.



They also make great gifts.

Wednesday, February 25, 2015

Peony posy oil pastel painting

Peony posy
Oil pastel painting on watercolor painting
5"x5"

This is the third and final painting in this mini-series all from the same discarded watercolour. It's been fun painting these and it has reminded me that I should use my assorted collection of different media more often. I have found it refreshing rediscovering oil pastels. I have already gessoed some paper with black gesso ready for another series.

You may be interested in a previous oil pastel Work in Progress of calla lilies I painted over 3 years ago. This used a very different approach to these three.

How this painting might look framed
All three together.





Tuesday, February 24, 2015

Summer Posy oil pastel painting

Summer Posy
Oil pastel painting
5"x5" on watercolour paper


This is the a continuation from yesterday's painting also using a section of the same discarded watercolor. I loosely laid in the areas of colour and once again used a cloth dipped in liquin to blend the colour. This beauty of using liquin is it's extremely quick drying time allowing the second layer to go on within minutes. This also helps to minimise the 'slippiness' that can occur when using several oil pastel layers.

About this painting
After blending the first layer with liquin. I laid in increasingly thicker layers of pastel in loose strokes. I use a back and forwards scribbly motions not distinct strokes. I wanted the painting to have a loose feel to it.

After leaving the painting to harden overnight, I added the final 'sugar' in the form of heavy pastel dots and highlights. I like the romantic look of this one.

How it might look framed


Monday, February 23, 2015

Flower Posy oil pastel painting


Flower Posy
Oil pastel on watercolor paper
5"x5"

It has been such a long time between posts on the blog, and I apologise for that. I haven't been blogging much at all over the last few months. I have just returned re-energised from a superb holiday in Namibia. This painting is inspired by an article I read in the UK magazine 'The Artist' by Soraya French - an artist I much admire - on oil pastels. I used to use oil pastels a lot after I had to stop using soft pastels and before I started painting in oils. Her article inspired me to get out my oil pastels and paint especially the part where I discovered that Liquin can be used as a solvent to blend the pastel for the first step.

Recycling old watercolours
I have been recycling a lot of my old watercolor paintings that didn't make the grade by cutting them up and reusing the paper for smaller paintings. Usually there are some nice washes that make a nice ground for floral paintings.

About this painting
 I based this painting on some of my previous painting and included some reflections which always adds something extra. I lightly laid in large areas of colour and blended the pastel with a cloth dipped in a small amount of Liquin. I left large area of the watercolour wash alone.
I have a mixture of various oil pastels for example Daler Rowney, Neopastel and Sennelier. The Sennelier are the creamiest and are superb for the last couple of couple of layer. I left it overnight to harden, and then added a few thick dots and dashes using Senneliers.

How it might look framed


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