Hanging Wisteria - watercolour abstract

 

Hanging Wisteria watercolour

35x24cm on NOT watercolour paper

For sale in my Etsy store, see HERE

A loose and free painting of wisterias. I wet the paper and painted most of this wet-in-wet. Gradually as it dried I added more and more details.

I like the colours and effect of this one and I had fun doing it.

Contact me about this or any other painting HERE

White Ice Bearded Iris oil painting

White Ice Bearded Iris

Oil painting by Marion Hedger

18x24cm, on canvas board (MDF) (approx 6"x10")

I have joined Daily Paintworks and this piece is for auction

THIS PAINTING IS NOW SOLD
Contact me to commission a similar painting HERE

Another of my Garden 101 series cross posted in my daily painting blog.

Hydrangeas at my back door, 1 hour challenge

I entered this painting into the weekly challenge on dailypaintworks.com. The challenge was to paint from nature using a limited palette of cadmium yellow light, cadmium red, ultramarine blue and white, just using 3 brushes - a large, medium and small, and to painting it within an hour.

Hydrangeas by my back door
Oil on gessoed board 20x30cm

These hydrangeas are already past their best, and believe it or not are brilliant white! After they have flowered, they then turn this pinky/greeny/grey colour, almost as if they are spent from the beautiful show they put on. I just mangaged this within the hour and I tried so hard not to fiddle. This was harder than it looked and I think I fussed a bit too much on the hydrangeas, but it was fun.

Summer Bonanza Oil painting

This is another one of my loosening up exercises, this time base on one of Richard Schmid's work.

Summer Bonanza after Richard Schmid by Marion Hedger
Oil on canvas
41x33cm (16x13")

I started with an acrylic wash in pale blue. Then using a 1" wash brush, I brushed in some loose, random stipes using red oxide diluted with odourless mineral spirits, followed by a few loose brushstrokes of green. With a very small brush I then indicated the position of the main flowers and then went straight to using thicker paint. I tend to work all over the canvas, mixing my colours as I go and also on the canvas. The final stage was the highlights on the rose to make it pop. This was painted alla prima apart from the intial acrylic wash.

My next step is to use my own photos as the basis and see if I can keep the momentum going without getting too tight.