Three Roses Palette Knife Painting in Oil

Three Roses Palette Knife Painting

Oil on MDF canvas panel

15cmx15cm (6"x6") 

Available on Daily Paintworks

 This painting has a tactile impasto surface giving it a 3D look.
The edges of the panel have been painted black so it can be displayed on a plate stand. This painting would also look good in a floating frame.

About this painting
A larger painting of the rose paintings I painted in January. I wanted to see if the concept worked at a larger size. I use paint directly from the tube to achieve a luscious pure colour. For the roses I used Scarlet Lake unmixed to maintain that beautiful red, with permanent rose and alazarin crimson for the darker areas.

Some close-ups of the knife work

White Ice Bearded Iris oil painting

White Ice Bearded Iris

Oil painting by Marion Hedger

18x24cm, on canvas board (MDF) (approx 6"x10")

I have joined Daily Paintworks and this piece is for auction

THIS PAINTING IS NOW SOLD
Contact me to commission a similar painting HERE

Another of my Garden 101 series cross posted in my daily painting blog.

Calla Lilies, oil

Here is an update on the plein aire calla lilies I posted earlier. I have lightened the top of the background, added more contrasts, and very slightly smoothed some of the lily.

 15x20cm (6"x8")

Oil on canvas board

I think I prefer it. It didn't need much tinkering so I am quite happy with the result.

Contact me about this or any other painting HERE

Calla Lilies Alla Prima oil painting

I've set myself a task to do 101 daily paintings related to my gardens, to try and loosen up my style. I did a few featuring the lemons and oranges from my trees but now that the flowers are blooming I am using those and painting en plein aire when possible. I am taking the liberty of cross posting in this blog.
Here is one of the calla lilies

White Calla Lilies Oil painting by Marion Hedger

27cm x 19cm (11"x8" approx)

Oil on canvas board

Painted alla prima wet in wet.

Contact me about this or any other painting HERE

I'd like your opinions. I am quite happy with them when I paint them (I have several iris paintings which I shall post later) - but when looking at them later, they leave me less than satisfied.

I am always undecided on whether or not to leave well enough alone (and use as a ref to see if I am improving), or to rework some of the areas and bring them up to a more finished piece. Or is this my nitpicking and fiddling side taking over.
All comments welcome.

PS I do like sloshing that thick paint around.

Summer Bonanza Oil painting

This is another one of my loosening up exercises, this time base on one of Richard Schmid's work.

Summer Bonanza after Richard Schmid by Marion Hedger
Oil on canvas
41x33cm (16x13")

I started with an acrylic wash in pale blue. Then using a 1" wash brush, I brushed in some loose, random stipes using red oxide diluted with odourless mineral spirits, followed by a few loose brushstrokes of green. With a very small brush I then indicated the position of the main flowers and then went straight to using thicker paint. I tend to work all over the canvas, mixing my colours as I go and also on the canvas. The final stage was the highlights on the rose to make it pop. This was painted alla prima apart from the intial acrylic wash.

My next step is to use my own photos as the basis and see if I can keep the momentum going without getting too tight.

Rose Trio oil painting by Marion Hedger

I am on a quest to loosen up my floral oil paintings I have been scouring the internet for modern day artists that have the 'knack'. I have been studying their work and practicing my technique.


My work has gradually become looser as a natural progression, especially since I have been using oils - did I say that I love oils? - but I want to achieve that looseness that looks effortless (Haha!). I have long admired the artist Dreama Tolle Perry so decided to base this one on one of her wonderful rose paintings. This is the result

ROSE TRIO by Marion Hedger
Oil on canvas panel
41x33cm (16x13")

This is mostly alla prima, and I really enjoy this style. Initially it is quite frustrating as I wonder if I have it right and will the paint behave, but then all of a sudden it happens. I still use an underpainting of sorts and gradually build up until I find I have enough paint that it 'flows'. I am hoping that my technique will improve so that I can achieve the same result but more directly.

I'd be interested in what you think of this style.